Finally, I am willing to ignore the film's failure to satisfactorily resolve the time-travel paradox in its frankly ludicrous ending. Darcy Paquet My Beautiful Days Amongst the year's biggest disappointments was seeing this underrated film completely vanish from theaters, just a few days after release, crushed by Hollywood blockbusters and big Korean films. Unlike what the poster of the film suggests, Jung Joon-ho is no more than a supporting character, although he gives a good performance. Underlying them is a sense of pathos about class differences based on consumption patterns of the '80s, when Korea was first becoming an out-and-out consumer society and its people were beginning to be defined by what they buy and own. Although the fetus developed properly once exposed to normal gravity, the rats that were raised in microgravity lacked the ability to right themselves. Many films try to show romance through a female perspective, but it's only a facade to manipulate their sensibilities. With luck, someday we may look back upon this film as a first step in the rebirth of Korean animation. Although by no means a blockbuster, this has been Hong's most successful work at the box-office to date, with its humor making it far more accessible than his previous films. Of the film's many strengths, the first to stand out is its cast.
Looking For Bruce Lee stars the four young men of said band and the city they call home, Seoul. As gravity regulates mammalian gene expression, there are significant implications for successful procreation in an extraterrestrial environment. Such effects would be a result of factors including gravity changes, radiation, noise, vibration, isolation, disrupted circadian rhythms, stress, or a combination of these factors. A few months later, Ryu made a further impression with Dazimawa Lee, a minute comedy shot on digital video and released over the internet, where it became a runaway hit. The film's main strength remains its storytelling, however. Although not an exceptional film within the genre, Phone does add to some of the genre fixtures enough to feel like I'm not watching a complete re-take, such as the nice coupling of trapped-in-an-elevator-fear with the scratching of fingernails on the wall to enable the audience to feel the physical cringing the character experiences upon hearing the scream from the phone. When Ji-won discovers that the previous owner of her cell phone died, her investigative skills are piqued. What seems to intrigue him the most is her confidence and determination to achieve her goals, something he clearly lacks, and couldn't find in his previous companions. This is not something unique about Koreans, but an absence of use that is unique about Americans. The film begins at the end of the Paekje Kingdom in the year AD where soldiers commit suicide out of respect for their king's loss of his kingdom. While not an earth-shaking masterpiece, No Comment is an attractive way to showcase talents of up-and-coming filmmakers not yet considered "safe" to take on big-budget projects: Ju falls in love with the match girl, and teams up with a transsexual warrior named Lala who possesses other-worldly fighting skills. Few viewers are likely to leave the theater without strong feelings for or against this film. Just don't expect a great film. In Public Enemy there are no conventionally sympathetic characters: This chapter is not really a horror film but a sentimental fantasy about the power of love and limits of the "Western" scientific worldview. What struck me most about the depiction of Jang's tragically-imagined life was the director's tendency towards romanticism, in his seeming desire to present the artist as a Korean Byron or Liszt. Beneath all the cutesy and charm of the leads, the irreverent take on supporting characters - who are cliches, yet poking fun at themselves they aren't - and the silly comedy, there's something intelligent. Actually, the "dummies" here belong to a traditional theater troupe, whose master perishes in a suspicious blaze after trying to dispose of his favorite puppets. As expected, ghostly apparitions begin to haunt his dreams: The futuristic world presented to us in this film is engaging and darkly beautiful. Its rhythm simulates that of a real-life relationship, complete with dull patches and sudden intensifications. Director Yu resolutely refuses to judge his characters, keeping the narrative open-ended to the very last shot. NOT the American version released in and Audition in particular may feel a sense of deja vu. This sequence is indeed nifty.
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