The Weird's main weakness is the screenplay. Personally, I was particularly annoyed by the constant use of the slang "yama is spinning: Poor Son Ye-jin is told to swish her hips in a "sexy" manner throughout the movie, and such direction ironically blows away her own natural sexiness. And with his 9th film, Like You Know It All nudging into the national box office's top ten during its second week, and the recent announcement that the great Moon So-ri will be featured in his 10th film, here's hoping this Hongian saga continues unabated. I hope playing Detective Jo did not leave a very bad aftertaste for Kim, and if it had, I hope he has recovered from it safely. The making of The Guard Post turned out to be more of an adventure than the filmmakers hoped. Kang Ji-hwan is serviceable in the role of Su-ta, though unfortunately Hong Su-hyun contributes nothing more to the blandly written role of the actress Mi-na than a pretty face. Jo Dae-young is truly a public nuisance, to put it nicely.
Some of the standard developments we expect in any sports movie pass by unacknowledged, and some patience is required of us -- in a sense, we are obliged to relate to the team members as ordinary people rather than heroes in the making. This juxtaposition of the thrilling sports finale and the film's stubborn realist point of view is perhaps its greatest strength. The king, it turns out, is gay, and locked in a love affair with Hong Lim. On the other hand, the inevitable "surprise twist" does not, thankfully, opt for yet another variation on Tale of Two Sisters The movie, though, opens with Ina graphically menstruating on screen, in a shameless reference to the former , so the filmmakers get some puny credit for that. Yu Hae-jin and Jin Gu are both talented actors, and had they been given sufficiently juicy materials to sink their teeth into, Truck could have turned out to be a good nail-biter. Some radio stations in the U. But apart from acting ability, there is also that thing called screen presence, and this just seems to be woven into her DNA. A moment of jeopardy in which Yu and Jin find themselves being subject to a roadblock inspection, for instance, is resolved with the intervention of a borderline silly deus ex machina. Technical credits excel as well: Their role is also kept from the heavy hand of a nationalist narrative through their portrayal as fairly unsuccessful revolutionaries. Her first move is to befriend Mr. If real pickpockets behaved like the Samsung Faction members and flash show-offy smiles every time they scored a hit, they would have been busted long time ago. Director Yim is not one to exaggerate emotions, but there is no need here. She's not blockbuster material, in other words. Kang Ji-hwan is serviceable in the role of Su-ta, though unfortunately Hong Su-hyun contributes nothing more to the blandly written role of the actress Mi-na than a pretty face. They demand re-viewing; they entice second takes, just like the actions of Hong's characters are constant retakes. In fairness, though, Truck is really no worse than any number of American-made "stuck on the road with a psycho" thrillers, beginning with the hideously overrated The Hitcher the original and the remake. Somebody is kidnapping students one by one, in the order of their midterm score ranks, and killing them. But this is a Hong film, so instead we see him stumble upon the memories of a woman from his past. Adam Hartzell Once Upon a Time in Corea In , Japanese military leaders discover through a secret document that the Stone Cavern Buddha in Kyungjoo, one of the most venerated national treasures of Korea, once had a baby's-head-sized diamond decorating its brow. Unfortunately, this also coincided with a dictatorship cracking down on all manifestations of fun. In other words, Hong's oeuvre is begging for ReMixing. In Night and Day, Hong again positions main characters into the privileged class where they have great amounts of leisure time to wax philosophical about their ambivalence to commit to each other, their ideas, and their feelings. Although its box office performance was a disappointment, this film has acquired a sort of cult status among Korean cinephiles. Radio Dayz is a farce, clearly filtered through the hindsight of what we know now rather than a realistic document of how we came to what we know now about the melodramatic form and the power of the media and celebrity.
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